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INTERVIEWS OF

Jack Fritscher

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TORSO Magazine
Vol 9 No 6
December 1990

Sex, Lies, & Fiction
by Claude Thomas

"Jack Fritscher invented the South of Market prose style, and its magazines," wrote critic John F. Karr establishing a time-line for homosexual literature in The Bay Area Reporter, June 27, 1985. Fritscher's particular SOMA style, invented young, remains classic, current, inventive, hip, and hot, with a range from traditional fiction to cyber-punk.

Fritscher is epicentric to gay male literature. He was the right writer in the right place at the right time. In 1972, he wrote his hardcore novel, Leather Blues, which critic Michael Bronski praised as high male romance. By 1977, he was the founding San Francisco editor of Drummer, the first masculine-identified magazine of homosexual liberation. The Fritscher-driven Drummer issues remain legendary and collectible.

He created an unique, actual vocabulary for the main themes of the Golden Age of Liberation. He developed and, in some cases brought to print for the first time, the themes that have

Richard Smith's non-medical blogs

There are just two subjects—death and sex—says Philip Roth, one of the greatest living writers. This prescription creates great difficulties because Martin Amis and others advise writers against trying to describe sex. The efforts are almost always a failure, which is why each year the Literary Review’s Bad Sex Awards have such a prosperous crop to choose among. But I have at last encountered a convincing and arousing description of good sex, and my wife agrees with me. I found it in a most unlikely place.

Before I reveal all I want to credit Beth Kilcoyne, my near-sister-in-law, with the acute observation that Jane Austen is the most erotic writer in English. Not an ankle is seen; no clothes are removed; and there is no sweating or heavy breathing. But nor to be pedantic is there an attempt at describing the sexual perform. Austen followed Amis’s advice.

I suggest too that it’s easier to write about bad—or at least wholly unsentimental—sex. Roth and his contemporaries, Updike and Bellow, do this, and I read a good example this morning in Marlon James’s A Brief History of Seven Killings. He describes gay sex between a Jamaican gangster and hi

Scott Free's THE PINK ALBUM - "The Wound that Never Heals"

Scott Free remains one of the most important (and beloved) gay male musical artists within the venerable pantheon of politically "out"-spoken LGBT pop songwriters. It's no little secret how much he means to these ears - My past reviews championing his labor are on general record. When I first began the monthly Gay Guitarists Worldwide monthly artists interview back in 2004 - I could think of no other than Scott to inaugurate the feature's series.

As an avid collector and listener of Scott's many previous cds, what can I utter of his latest effort? Well, first off - it's pure Scott! And as one can surmise by it's title, THE PINK ALBUM is specifically "gay" in the strongest political feeling possible.

Musically speaking, THE PINK ALBUM is similar to Scott's past work in that its songs are typically small (around 3 minutes - often less). Scott's poetic manner of lyric writing is still as intense and black as ever - as is his gay-victimization-angst.

Although the album is sub-titled "a pop opera" - this listener hears it as more as a pop "oratorio". There is no dramatic activity or plot maturation per se, as in oper

Denver’s hottest music venue is… under the highway?

DENVER — Outdoor concerts are a staple of Colorado summers, but Red Rocks isn’t exactly the type of place the headbangers among us can open up a mosh pit, what with all the stairs and, well, rocks.

But a highway underpass? Perfect.

On September 30, Baltimore-based hardcore band Turnstile will christen Undertaking 70, a new outdoor (and flat) venue under the highway between the National Western Complex and the Denver Coliseum. Denver Arts & Venues, the government agency, will handle the space. But Proposal 70 was the brainchild of AEG Presents, the live entertainment company founded by Colorado billionaire Philip Anschutz.

“AEG is doing some unique placemaking and creating an experience rather than what the agency considers a new venue,” said Brian Kitts, Denver Arts & Venues director of marketing and communications, in an email.

Evan Marks, a talent buyer at AEG, said Project 70 will give surging bands favor Turnstile — which Pitchfork called “the biggest hardcore band in the world” — more flexibility when it comes to carrying out in Colorado.

“Turnstile needs a fully GA (general admission) flat-ground area where peopl

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